Places: Colour
Sometimes I shoot digitally, and other times I’ll use film; anything from 35mm to 5x4 across a range of low-end to high-spec cameras. For me, different cameras have a profound effect on the way I ‘see’ a scene — there really is no such thing as the ‘perfect’ camera, or indeed the ‘perfect’ medium.
If you want to find out more about a particular image (or order a print), just ask!
Southend-on-Sea, England (in-camera light leaks)
NYC, USA
Eastbourne, England
Prague, Czechia
Buachaille Etive Mòr, Scotland
'Smile', Portsmouth, England
St. Paul's Cathedral & Red Van, London, England
Southern Spain
Hayle, Cornwall, England (Holga camera)
Paris, France
South Bank, London, England
South-West Spain (stitched panorama)
Eastbourne, England
Paris, France (inkjet transfer on card)
South West Coast Path, North Devon, England
Southern Spain
London, England
Southern Spain (stitched panorama)
'Welcome', Paris, France
Macy's, NYC, USA (digital tilt-shift)
De La Warr Pavilion, Bexhill On Sea, England
Paris, France (inkjet transfer on white box)
Road Tunnel, A-7, Southern Spain (motion blur)
Reflections, London, England
Beach Huts, Eastbourne, England (redscale film)
San Roque, Andalusia, Spain
Pink House, Sicily (defocused)
Windows, Portsmouth, England
Alaska, USA (photographic print with deliberate water damage)
Painted Door, Prague, Czechia
Southern Spain
New Forest, England
National Theatre, London, England (stretched)
Lundy Sunset, North Devon, England (defocused)